{"id":1133,"date":"2023-04-21T17:16:44","date_gmt":"2023-04-21T09:16:44","guid":{"rendered":"https:\/\/ccdf-demo1.nongdesign.com\/?page_id=1133"},"modified":"2023-08-22T10:13:17","modified_gmt":"2023-08-22T02:13:17","slug":"cnex-academy-curriculum","status":"publish","type":"page","link":"https:\/\/ccdf.cnexdoc.com\/en\/cnex-academy-curriculum\/","title":{"rendered":"CNEX Doc Academy Curriculum"},"content":{"rendered":"\t\t
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\n\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\tCNEX Doc Academy Curriculum\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Curriculum of the CNEX Doc Academy<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A 3-Day Deep Dive into the Global Documentary Scene<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2 days of international documentary pitching sessions, 19 selected film pitches, 5 master forums, 6 curated documentary screenings with director Q\\&As, and close-up exchanges with 50 international industry professionals.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Pitching Session: CCDF-16 Selected Projects<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    \u3010Masterclass\u3011The Future of the Documentary Genre<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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    The Future of the Documentary Genre<\/p>\n

    Tom JENNINGS | 1895 Films<\/p>\n

    In the long history of cinema and television, documentaries hold an honoured place. But in Bob Dylan\u2019s words The Times They Are A\u2019 Changin\u2019. These are turbulent times for doc filmmakers just as they are for the industry as a whole. Tom Jennings is a Peabody and Emmy award-winning documentary filmmaker and journalist. He has written, produced and directed more than 500 hours of programming on topics including politics, religion, history, crime, sports, mystery and travel.
    \nHas he experienced turbulence like this before or is this something new? Drawing on his vast experience and research from Documentary Business, he will lay out the facts facing documentary filmmakers today and give a perspective on where we are headed.<\/p>\n

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    After the Snowmelt<\/p>\n

    Taiwan, Japan\uff5c2024\uff5c 110 min \uff5cLO Yi-shan<\/p>\n

    After the Snowmelt<\/span><\/i> is a coming-of-age tale that delves into how youth grapple with their first experience of profound loss.\u00a0<\/span><\/p>\n

    On the threshold of adulthood, Yi-Shan’s (director) best friend in high school, Chun, went trekking in Nepal with his boyfriend, Yueh, and promised to reunite with her there. However, she lost contact with them and didn’t hear from them until two months later: they\u2019d been trapped in a cave for 47 days due to unseasonable snowfall. Chun passed away three days before the rescue, leaving Yueh as the sole survivor.\u00a0<\/span><\/p>\n

    Yueh returns and reveals a promise made between him and Chun: whoever survived had to share their story. To honor Chun’s last wish, Yi-Shan takes up the camera and accompanies Yueh to the mountains to ask him about what happened in the cave. However, Yueh withdraws into silence, prompting her to retrace the journey she and Chun promised to take together in Nepal.\u00a0\u00a0<\/span><\/p>\n

    Along her way, local villagers in Nepal share memories of Chun and Yueh. Gradually, her journey overlaps with theirs, blurring the boundary between past and present, and finally converges at the same destination. In the snowmelt season, some things resurface while others vanish forever. When Yi-Shan reaches the CAVE, she must confront the future alone.<\/span><\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li>\t\t\t\t\t\t\t

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    Pitching Session: CCDF-16 Selected Projects<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    \u00a07 Beats Per Minute<\/span><\/p>\n

    Canada \u22232024 \u2223 100 min \u2223 Yuqi KANG<\/span><\/p>\n

    In the world of competitive freediving, Jessea LU (LU Wen-jie) is a legendary figure. The Chinese freediving champion came late to the sport, vaulting into the top tier of talent with remarkable ability and a compulsive drive to challenge her limitations. But in the ocean, you cannot hide from yourself.<\/span><\/p>\n

     <\/p>\n

    During a world-record attempt in 2018, Jessea blacked out and was lifeless for four minutes.<\/span><\/p>\n

     <\/p>\n

    Award-winning director Yuqi KANG\u2019s feature documentary <\/span>7 Beats Per Minute<\/span><\/i> parallels Jessea\u2019s physical and mental journey back from the depths, with intimate cin\u00e9ma v\u00e9rit\u00e9 camerawork, astonishing underwater imagery and raw personal interviews.<\/span><\/p>\n

     <\/p>\n

    Set against the world of freediving, the film places the audience and the filmmaker herself in the immediacy of the experience. As barometric pressure compresses the body, the heart slows and the pulse drops, it is the power of the mind that proves critical. In the descent of a lifetime, the ocean is a mirror, reflecting back everything inside of you. In order to go deep, you have to let go.<\/span><\/p>\n

     <\/p>\n

    As the boundaries between the filmmaker and her subject grow more fluid, the two return to the site of Jessea\u2019s near-death experience to face the traumas of her past and find a way back to light, air and, ultimately, connection.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    All Quiet on the Westlake + Secret Screening<\/p>\n

    All Quiet on the Westlake<\/span><\/p>\n

    China | 2023 | 15min | \u9b4f\u5b50\u78a9 WEI Zi-shuo<\/span><\/p>\n

    As the oldest way of communication, sign language may be the common language used by humans before the collapse of the Babel Tower. With the rapid development of Hangzhou, someone is doomed to be left behind. In this surging long river of time, the documentary will be the last words written for time.<\/span><\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li>\t\t\t\t\t\t\t

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    Global Opportunities for Documentary Filmmakers<\/p>\n

    Mandy CHANG \uff5cProducer<\/p>\n

    The best of times or the worst of times? In her storied career, Mandy Chang has been the Global Head of Documentaries for international giant Fremantle, the Commissioning Editor at BBC Storyville, and Head of Arts at ABC TV in Australia. A champion of quality docs, she will assess the current market situation and reveal where the opportunities lie in the future. But she will also share what the challenges are when making a film for a global market. Films have to cut through many barriers to find their audience. This is just as true for any films outside the mainstream as it is for any Asian films. Where can one find the communities to help identify and reach your target audience?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    The Dating Game<\/p>\n

    United States, United Kingdom & Norway \uff5c2025\uff5c 88min \uff5c\u99ae\u90fd Violet Du FENG<\/p>\n

    Set in China, where eligible men outnumber women by over 30 million, The Dating Game<\/em> is the story of ZHOU, LI, and WU, three bachelors embarking on a seven-day dating camp, led by HAO, one of China\u2019s most sought-after dating coaches. In their last-ditch effort to find love, the bachelors chuckle and bond as HAO makes them over, altering how they look and act online\u2014and in real life. It\u2019s all part of Hao\u2019s signature \u201cstrategic deception,\u201d a series of techniques designed to, purportedly, make humans connect. Hao\u2019s credentials? HAO successfully wooed Wen, a stylish, educated city-girl\u2014a real catch who is now his wife.<\/p>\n

    As our three bachelors stumble through the camp\u2019s awkward challenges, they try to make sense of their authentic and constructed selves, and find the self-confidence they need to land that date.<\/p>\n

    The Dating Game<\/em> is, on the surface, a whimsical romp through courtship in the digital age, but it also reveals the social challenges that leave us questioning how we seek human connection.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    Feature Docs and Shorts: Not Only\u2026 But Also<\/p>\n

    Ema Ryan YAMAZAKI | Director
    \n\u6c5f\u677e\u9577 S. Leo CHIANG| Director
    \n\u5f35\u660a Hao ZHANG | Bilibili<\/p>\n

    For many filmmakers, the feature documentary is the ultimate goal, but the short documentary is far more than just a stepping stone. Shorts can be bold, creative statements, career launchpads, and powerful calling cards that open doors to festivals, funders, and future collaborators. They can also become the seed of a feature or stand proudly on their own.<\/p>\n

    In this lively, clip-filled session, three award-winning speakers who have mastered both formats will reveal how shorts and features can work in tandem to expand your storytelling range and professional reach. From creative choices to market strategies, they\u2019ll share the lessons, surprises, and smart moves that have helped them thrive in both worlds.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    Survival Strategies: Lessons from the Frontlines<\/p>\n

    Laura NIX |\u300aDemocracy Under Siege\u300bDirector
    \n\u99ae\u90fd Violet Du FENG |\u300aThe Dating Game\u300bDirector
    \nGary KAM | Producer
    \n\u9ec3\u60e0\u5075 HUANG Hui-cheng |\u300aSmall Talk\u300bDirector<\/p>\n

    The global documentary industry has never been more exciting\u2014or more unforgiving. Streamers are shifting strategies, funds are shrinking, and audience habits are changing faster than ever. In this candid conversation, four acclaimed filmmakers and producers with deep international experience pull back the curtain on what it takes to get a documentary funded, produced, and seen in today\u2019s volatile market.
    \nFrom navigating funding gaps, political sensitivities, and cultural differences, to mastering the art of pitching across borders, the panel will share unfiltered stories of both triumph and failure, along with the strategies that made the difference. They\u2019ll also look ahead to the next five years: the formats, platforms, and career moves that will help creators stay relevant in a world where the rules keep changing.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    \u3010Special Screening\u3011Instruments of a Beating Heart<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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    Instruments of a Beating Heart<\/p>\n

    \u65e5\u672c Japan \uff5c2024\uff5c 23min \uff5cEma Ryan YAMAZAKI<\/p>\n

    If you wonder why Japan is the way it is, why our trains run on time, why there\u2019s no trash on the streets \u2014 in my opinion, we\u2019re not born that way, but rather those Japanese traits are accomplished through education. When I look back at my life, I think of my six years of elementary school, and realize that\u2019s where I learned how to be \u201cJapanese.\u201d<\/span><\/p>\n

     <\/p>\n

    In many Western systems, education for young people is all about being different from the person next to you at a young age. You\u2019re taught to be unique, and encouraged to develop your personality. Whereas in Japan, you start by figuring out how you belong within your group, what you are responsible for, what your role is, and you form your identity in relation to those around you. You are expected to contribute to the community you are a part of, sometimes facing pressures to conform, as well as shame when you come up short of expectations.\u00a0<\/span><\/p>\n

     <\/p>\n

    It is my belief that not only what kids are being taught, by how, is an indicator of where that society is headed. The Japanese system is far from perfect, but as it is so different from how many societies teach children, I hope it can be used as a mirror to each of our societies\u2019 way of doing things. Perhaps the Japanese way is too strict, or perhaps it is one example of how resilience is fostered. In a post-Covid era, I hope we can take a moment to think about how we want to teach the next generation, and ponder upon the possible benefits of putting the community\u2019s well-being above personal desires, as it might provide hints to pave the way for the next generation, and perhaps a better future for us all.<\/span><\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

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    \u3010Masterclass\u3011Translating Culture through Documentary<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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    Translating Culture through Documentary<\/p>\n

    Ema Ryan YAMAZAKI | \u300aInstruments of a Beating Heart\u300b Director<\/p>\n

    Cultural translation in documentary is far more than simply adding subtitles\u2014it\u2019s about perspective, trust, and the countless storytelling decisions that determine how a film speaks across languages and borders. For Japanese\/British filmmaker Ema Ryan YAMAZAKI, it is also a personal practice: moving fluidly between cultures, she brings the lens of both an insider and an outsider to stories set in Japan.<\/p>\n

    In this masterclass, Ema will share how her years living and working in the United States shaped her cinematic approach and how she integrates that with her deep cultural roots in Japan. Using her directing work on The Making of a Japanese, Instruments of a Beating Heart and her editing of Black Box Diaries as case studies, she will explore the creative strategies that enable her to honour local authenticity while creating universal resonance.<\/p>\n

    From crafting a visual language that speaks beyond words, to earning the trust of participants across cultural divides, to making editing choices that respect context without losing pace, Ema will walk participants through the practical and philosophical considerations of making culturally specific films that travel. This session will offer inspiration and concrete tools for telling stories that connect with audiences around the world\u2014without losing the voice of where they began.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li>\t\t\t\t\t\t\t

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    CNEX Doc Academy Curriculum 9.20\uff08\u4e94\uff09 9.21\uff08\u516d\uff09<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"slim_seo":[],"footnotes":""},"class_list":["post-1133","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133"}],"collection":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/comments?post=1133"}],"version-history":[{"count":170,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133\/revisions"}],"predecessor-version":[{"id":4545,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133\/revisions\/4545"}],"wp:attachment":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/media?parent=1133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}