{"id":1133,"date":"2023-04-21T17:16:44","date_gmt":"2023-04-21T09:16:44","guid":{"rendered":"https:\/\/ccdf-demo1.nongdesign.com\/?page_id=1133"},"modified":"2023-08-22T10:13:17","modified_gmt":"2023-08-22T02:13:17","slug":"cnex-academy-curriculum","status":"publish","type":"page","link":"https:\/\/ccdf.cnexdoc.com\/en\/cnex-academy-curriculum\/","title":{"rendered":"CNEX Doc Academy Curriculum"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\tCNEX Doc Academy Curriculum\t\t\t\t<\/span>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

The Curriculum of the CNEX Doc Academy <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\"\u622a\u5716\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t

A 3-Day Deep Dive into the Global Documentary Scene<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

2 days of international documentary pitching sessions, 19 selected film pitches, 5 master forums, 6 curated documentary screenings with director Q\\&As, and close-up exchanges with 50 international industry professionals.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t
\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t

    <\/span>\n\t\t\n\t\t\t2026.09.18 Fri.\t\t<\/span>\n\t\t<\/p><\/div>\n\t\t\t\t\t\t\t\t

    \n\t\t\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010CCDF-17 Selected Projects\u3011<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    \n
    \n
    \n
    \n

    Pitching Session: CCDF-17 Selected Projects<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010Keynote\u3011 Documentary: What\u2019s Next?<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    Documentary: What\u2019s Next?<\/p>\n

    Dan SALERNO | Documentary Business<\/span><\/p>\n

    Documentary filmmakers, producers of nonfiction content, short film creators, and nonfiction storytellers are all facing the challenges brought about by rapid changes across the industry. As streaming platforms continue to consolidate and emerging technologies develop at an unprecedented pace, how can we prepare for and navigate the challenges ahead?<\/p>\n

    This keynote will explore the latest developments in the documentary industry, examining the diverse distribution landscape spanning streaming platforms, pay-TV and specialty channels, public and commercial broadcasters, YouTube, and theatrical documentary releases. We will look at which organizations are still investing in new documentary projects, which partners are worth building relationships with, and what kinds of content and creators they are currently seeking.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010CCDF Case Study Screening\u3011 Ms. Hu's Garden<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    Ms. Hu’s Garden<\/em><\/p>\n

    China\uff5c2024\uff5c 103 min \uff5cPAN Zhi-qi<\/span><\/p>\n

    This is a story about love and self-redemption.<\/p>\n

    Ms. Hu, who lives in Chongqing\u2019s Shibati neighborhood, runs a modest, low-cost guesthouse and spends her days collecting discarded items from the nearby commercial district. Despite her own financial struggles, she often helps guests at the guesthouse who are experiencing hardship.<\/p>\n

    In contrast to the harsh realities of her life, Ms. Hu possesses an extraordinarily rich inner world. Using discarded commercial waste that she collects, she has built a garden\u2014a poetic space that belongs entirely to her. She hopes that this garden will help redeem both herself and her son, Shaobin, who suffers from depression. But to Shaobin, the garden is merely a pile of rubbish, a means for his mother to escape from the past.<\/p>\n

    Filming began in 2012 and continued for nearly a decade. Using the garden as a recurring thread, the film documents the inner worlds and everyday realities of Ms. Hu and her son, Shaobin, over the course of their lives together.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li>\t\t\t\t\t\t\t

  • \n\t\t\t\t\t\t\t\t

    <\/span>\n\t\t\n\t\t\t2026.09.19 Sat.\t\t<\/span>\n\t\t<\/p><\/div>\n\t\t\t\t\t\t\t\t

    \n\t\t\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010CCDF-17 Selected Projects\u3011<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    Pitching Session: CCDF-17 Selected Projects<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010CCDF \/ IFG Case Study Screenings\u3011Spi<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    \n
    \n
    \n
    \n

    Spi<\/span><\/em><\/p>\n

    Taiwan \u22232025 \u2223 98 min \u2223 Sayun SIMUNG<\/span><\/span><\/p>\n

    After Grandpa Wilang passed away, our family was overcome with grief. Grandma Yabay struggled to accept the loss of her partner and remained unable to move forward.<\/p>\n

    In the Atayal language, \u201cSpi\u201d means \u201cto dream\u201d\u2014a way for us to connect with our ancestors. After Grandpa\u2019s death, we began dreaming of him: sitting by the fire, walking through the mountains while hunting, or quietly watching over us.<\/p>\n

    While our family was still mourning, my teenage cousin became pregnant. According to Gaga\u2014the Atayal ethical code\u2014Grandma believed that her pregnancy would disappoint Grandpa and refused to let her granddaughter return home.<\/p>\n

    Years passed, yet Grandpa continued to visit us in our dreams. Grandma weaves and tends to the fields, while I walk the mountain paths that Grandpa once traveled, searching for meaning in contemporary life and learning how to live according to the Atayal way.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010CCDF \/ IFG Case Study Screenings\u3011Sweetie Ping + Who Will Love Me When You Die<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    Sweetie Ping<\/em> + Who Will Love Me When You Die<\/em><\/p>\n

    Sweetie Ping<\/em><\/p>\n

    China \u22232024 \u2223 33min \u2223WEN De-chuan<\/p>\n

    Feng Yiping, president of the Chengdu Association for the Visually Impaired, has devoted herself to advocacy for people with visual impairments for many years. Through her tireless efforts, the association has gradually found its footing, but her family life is shrouded in crisis: her daughter is suffering from liver fibrosis, her father\u2019s Alzheimer\u2019s disease has progressed to its late stage, and her husband has been diagnosed with cancer following a medical checkup.<\/p>\n

    Despite everything, Feng remains remarkably optimistic. At a celebration hosted by the association, she unexpectedly reunites with her former husband, bringing memories of the past flooding back. Through their encounter, we begin to uncover the story of her first half of life\u2014and come to understand the source of her optimism in the face of an extraordinarily difficult life.<\/p>\n

    \n

    Who Will Love Me When You Die<\/em><\/p>\n

    Malaysia \u2223 2025 \u2223 29min \u2223Beatrice LEONG<\/p>\n

    What happens when the other soul that has long dwelled within you returns, after years of estrangement, to a place that has fallen silent?<\/p>\n

    An autistic person returns to her mother\u2014two intertwined lives shaped by love and fear. The choices they made to protect one another echo quietly across time, rewriting memories and revealing unspoken truths. Misdiagnosis, erasure, and long-buried grief resurface, leaving indelible marks on their existence.<\/p>\n

    When fear has shaped a life, what does it mean to keep moving forward? And when mother and daughter build an emotional bond out of love, what remains in the end?<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li>\t\t\t\t\t\t\t

  • \n\t\t\t\t\t\t\t\t

    <\/span>\n\t\t\n\t\t\t2026.09.20 Sun.\t\t<\/span>\n\t\t<\/p><\/div>\n\t\t\t\t\t\t\t\t

    \n\t\t\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010Producers' Panel\u3011HARD TRUTHS \u2013 Marrying Creativity and Market Reality<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    HARD TRUTHS \u2013 Marrying Creativity and Market Reality<\/p>\n

    Mandy CHANG\uff5c Documentary Film Council
    \nChris HUMPHREY\uff5cAsia for A+E Creative Partners
    \nBob MOORE \uff5c EyeSteelFilm
    \nRachel WEXLER \uff5cBungalow Town Productions<\/span><\/p>\n

    In the documentary field, directors often take on the dual role of director and producer. It is an incredibly demanding responsibility. But what happens when these two roles are separated? What does each one actually do?<\/p>\n

    The director is responsible for the creative and filmmaking process itself, while the producer serves as the point where creative vision ultimately meets the realities of the business. Producers identify stories\u2014or find the right creative teams\u2014secure funding and resources to bring a project into production, keep the film within budget, and ensure that the finished work reaches its audience.<\/p>\n

    In the world of narrative filmmaking, producers have the authority to hire\u2014and, when necessary, fire\u2014directors. Ultimately, the power and responsibility rest with the producer.<\/p>\n

    In this session, experienced producers with extensive international production experience will share their insights, knowledge, and hard-earned lessons from working across the industry.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010Distribution Panel\u3011No One Is Coming to the Rescue: Documentary Distribution in the Age of Platforms<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    No One Is Coming to the Rescue: Documentary Distribution in the Age of Platforms<\/p>\n

    Ma\u00eblle GUENEGUES\uff5cCAT&Docs
    \nOrly RAVID\uff5c The Film Collaborative
    \nMar\u00eda VERA\uff5cKino Rebelde <\/span><\/p>\n

    The brutal truth is this: the streaming platforms stop buying, the broadcasters stop calling, and the deal you thought would save your film simply never happens. No one is coming to rescue you. That\u2019s when it\u2019s time to save yourself.<\/p>\n

    This session brings together three people who fight for documentaries on the front lines of the market every day: Ma\u00eblle GUENEGUES of CAT&Docs in Paris; Mar\u00eda VERA, founder of the distribution and sales agency Kino Rebelde; and Orly RAVID, founder of the nonprofit The Film Collaborative, whose mantra is simple: \u201cThe rights aren\u2019t ours. They\u2019re yours.\u201d<\/p>\n

    Stop waiting for buyers to come knocking. From festival strategy to hybrid distribution, this is a survival guide for the platform era\u2014and proof that the smartest distribution strategy should begin the day you start shooting.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010Editing Panel\u3011How Documentary Editors Build Narrative from the Footage\uff1f<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    How Documentary Editors Build Narrative from the Footage\uff1f<\/p>\n

    Bryan CHANG\uff5cEditor, Director
    \nFENG Xi\uff5cEditor<\/p>\n

    Editing is often the most invisible yet crucial force in a documentary. In this forum, editors Zhang Suozhong and Feng Xi will be in conversation with director Jiang Songchang, unpacking how a documentary\u2019s narrative structure is discovered and constructed from hundreds of hours of raw footage.<\/p>\n

    From the first viewing of the rushes to the moment when a structure finally begins to emerge, the three creators will share the intuition, judgment, and creative tension that shape the work in the editing room. The discussion will also address a fundamental question of authorship: when an editor fundamentally reshapes the story of a film, is their contribution simply technical execution, or does it constitute co-authorship?<\/p>\n

    As AI tools increasingly enter the post-production process\u2014automating transcription, organizing footage, and even generating rough cuts\u2014the conversation will also ask: what aspects of an editor\u2019s judgment can AI never replace? And as these tools continue to evolve, are they quietly changing the very nature of documentary editing?<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>

    \t\t
    \n\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t
    <\/i><\/span><\/i><\/span><\/div>
    \u3010Special Screening\u3011Mr. Nobody Against Putin + Masterclass<\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t

    Mr. Nobody Against Putin + Masterclass<\/p>\n

    Denmark\u3001United Kingdom\u3001Germany\u3001Czech Republic\u3001USA \uff5c2025\uff5c 90min \uff5cDavid BORENSTEIN\u3001Pavel TALANKIN<\/span><\/p>\n

    He is known simply as P\u2014a nameless man who was never meant to become a hero.<\/p>\n

    A beloved teacher at a Russian primary school, P once turned his office into a safe haven where children could feel free to be themselves. But after Russia\u2019s full-scale invasion of Ukraine, the school was taken over by Putin\u2019s propaganda machine. Patriotic lessons, military training, and slogans about war gradually replaced education.<\/p>\n

    Forced to become part of the system, P picked up the camera he had once used to document school life. He began filming how children were being trained to become believers in war, how graduates were sent to the front lines, and how an entire town was transformed by fear and silence. When he realized that these images could cost him his freedom, or even his life, he nevertheless chose to smuggle the truth out of Russia.<\/p>\n

    Through rare firsthand footage, the film reveals how authoritarianism infiltrates everyday life and reshapes education, while bearing witness to how an ordinary teacher, faced with profound powerlessness, makes one of the most dangerous\u2014and clearest-eyed\u2014choices imaginable.<\/p>\n<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div><\/li><\/ul><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    CNEX Doc Academy Curriculum 9.20\uff08\u4e94\uff09 9.21\uff08\u516d\uff09<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"slim_seo":[],"footnotes":""},"class_list":["post-1133","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133"}],"collection":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/comments?post=1133"}],"version-history":[{"count":170,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133\/revisions"}],"predecessor-version":[{"id":4545,"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/pages\/1133\/revisions\/4545"}],"wp:attachment":[{"href":"https:\/\/ccdf.cnexdoc.com\/en\/wp-json\/wp\/v2\/media?parent=1133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}